Introit | O Emmanuel (chant) |
Opening Hymn | O Come, O Come Emmanuel |
Reading | Isaiah 11:1-10 (A shoot springs from the stock of Jesse) |
Choir | O Magnum Mysterium (Morten Lauridsen) |
Hymn | While shepherds watched their flocks |
Reading | Luke 1:26-38 (The Annunciation) |
Choir | In the bleak midwinter (Harold Darke) |
Hymn | Once in Royal David’s City |
Reading | John 1: 1-18 (In the Beginning was the Word) |
Bishop’s entrance and procession to the crib | Adeste Fideles |
Gloria | Gloria de Noël (Thomas Niel) |
Reading | Isaiah 9:2-7 (The people that walked in darkness) |
Psalm | Christmas Psalm (Farrell) |
Reading | Titus 2:11-14 (God’s grace has been revealed) |
Gospel Acclamation | Celtic Alleluia (Fintan O’Carroll) |
Reading | Luke 2:1-14 (The Nativity) |
Preparation of the gifts | A maiden most gentle (trad. arr. Andrew Carter) – choir |
Sanctus, Acclamation, Amen | Missa Ubi Caritas (Bob Hurd) |
Agnus Dei | Missa Ubi Caritas |
Communion | Verbum caro factum est (mcb) & Gloria III (Jacques Berthier) Silent night |
Postcommunion | O little town of Bethlehem |
Recessional | Hark the herald angels sing |
Our celebration was structured along the lines of para. 110 of the Directory on Popular Piety, with a vigil forming an extended Liturgy of the Word, as at Easter, but with the principal celebrant joining us after the first three readings. (Fr Tony presided up to this point.) Celebration Brass were with us, and a very full congregation joined in heartily with familiar music.
Thomas Niel’s setting of the Gloria takes the traditional Christmas carol refrain and adds choral sections in between setting the Latin text of the prayer. There seem to be a few settings like this to choose from.
Verbum caro factum is a canon written to go with the well-known Taizé setting of the song of the angels. We began with mine and gradually morphed - via an 8-part canon combining the two settings - into a unison proclamation of the words Gloria in excelsis Deo. It was probably too complicated to expect the assembly to join in, but hopefully the lilting 6/8 meant it was a suitably serene accompaniment to the Communion procession.
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