Sunday, 12 December 2010
Entrance | Rejoice for ever (mcb) |
Kyrie | Dinah Reindorf |
Psalm | Ps 145 (Rees/Bévenot) |
Gospel Acclamation | Advent Gospel Acclamations (Alan Smith) |
Preparation of the Gifts | Rejoice in the Lord Alway (anon, c. 1600) |
Sanctus, Acclamation, Amen | Mass XVIII (in English) |
Agnus Dei | Mass of the Angels and Saints (Steven R. Janco) |
Communion | (i) O Radix Jesse (ii) Be strong, our God has come (Psallite) |
Recessional | Come, thou long-expected Jesus |
We had two contrasting settings of today's Entrance Antiphon Rejoice in the Lord always, the well-known anonymous polyphonic setting, and my own setting in contemporary style.
My version was originally conceived as a setting of the whole of Philippians 4:4-9, written for unison voices with piano, guitar and saxophone accompaniment. By the time it got into print the saxophone part had morphed (at the publisher’s suggestion) into a choral descant with the Latin text Gaudete in Domino (Rejoice in the Lord). The verses got chopped about a bit too. We found today that in its revised form it all works quite nicely as a ‘choir and organ’ piece; to my surprise, given how far it had come from the version I originally thought of.
We were treated beforehand to a masterful improvised toccata on the two themes from our inimitable organist Anthony. I tell him he should write it all down, but then, he rightly retorts, it wouldn't be improvised any more.
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