Sunday, 11 June 2017
|Entrance||Holy, Holy, Holy, Lord God almighty|
|Gloria||Glory to God (Peter Jones)|
|Psalm||Trinity Psalm (Martin Foster)|
|Gospel Acclamation||Gospel Greeting (Peter Jones)|
|Preparation of the Gifts||St Patrick’s Breastplate (C.V. Stanford, 1852-1924)|
|Sanctus, Acclamation B, Amen||Jubilee Mass (Philip Duffy)|
|Agnus Dei||Lamb of God II (mcb)|
|Communion||The Love of God (Psallite)|
|Postcommunion||O Lux Beata Trinitas (T.L. de Victoria, c.1548-1611)|
|Recessional||Holy God, we praise thy name|
Stanford and Victoria for Trinity Sunday, and a change to the elements of the Mass ordinary to mark the transition back to Ordinary Time. We haven't, to my recollection, done a ‘responsorial’ Mass setting in at least the last twenty-seven years – I much prefer a strong melody which the Assembly can take to heart, to the repetitious and disrupted feel of the line-by-line responsorial format. But responsorial settings probably have their place in celebrations bringing together a congregation without a shared common repertoire of ritual music. Philip Duffy’s Jubilee Mass was written for the golden jubilee of Liverpool Metropolitan Cathedral on 4th June, and since the composer had very kindly obliged when I begged a copy, I thought we’d try out the Eucharistic acclamations.
The experience over this and subsequent weeks was positive: the setting has sufficient musical interest to keep the choir on its toes, while providing melodic fragments for the assembly appealing enough to evoke a fairly enthusiastic response. There are limits to its staying power, inevitably – what is suitable for a one-off occasion is unlikely to serve well week in week out. But at least we now have a responsorial setting in our repertoire, for when the need might arise.